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Also you could buy the book!
In the clear blue skies above Long Island, two airplanes collide. Tony Stark watches the scene in horror and wishes he had the technology that is almost within his reach—a new hyperintelligent instant control system that could have given the aircraft advance warning. But Stark, an obsessive, increasingly troubled recluse, doesn’t know that his invention has been compromised.
In fact, the collision was a carefully crafted hit on Madame Hydra, the final stage in Arnim Zola’s plan to seize control of HYDRA and get rid of Iron Man once and for all. The cunning adversary has already infiltrated Stark Industries security to develop a version of the instant control mechanism that will take over the armored suit and turn it against Stark and S.H.I.E.L.D. While Tony races to track down the source of the intrusion, Zola unleashes direly ingenious computer viruses and the ultimate secret weapon: a murderous clone army based on Stark’s most trusted friend. A puppet master of self-replicating terror, Zola is plunging a city into a war that threatens to consume all in its wake.
I guess what a lot of readers don’t know is that high-profile authors of original fiction have written tie-in work in the past. Christopher Priest (of The Prestige fame) wrote a tie-in novel to accompany the David Cronenberg movie eXistenZ. World Fantasy Award winner Robert Holdstock has written tie-in fiction. James Blish novelised Star Trek. Jack Yeovil was a pseudonym of Kim Newman, who wrote many well-received Warhammer books. The list goes on...
What matters in Buyout is the increasingly frantic collision of morals and beliefs into one another, until a crescendo of an ending the simultaneously denigrates and exalts the notion of an absolute credo.
I was at a loss on how to place this book -- everything needs some kind of context -- but I eventually remembered one of the classics of science fiction's Golden Age, The Space Merchants by Frederik Pohl and C. M. Kornbluth, two of the period's great satirists. Buyout is the same order of beast, bitter, Swiftian satire, loaded and pointed right at us.
In an Associated Press interview in Portland, Snowe said it would be unfair to include a government-run health insurance option that would take effect immediately.
"If you establish a public option at the forefront that goes head-to-head and competes with the private health insurance market ... the public option will have significant price advantages," she said.
But any self-sacrifice feels to us westerners like tyranny. We're not ready for it. Our evolution into apex individualists has superbly attuned us to injustices against us while atrophying our awareness of the vastly greater number that work in our favour.
Wired's Bruce Sterling offers a list of Eighteen Challenges in Contemporary Literature, some of which are sensible, others of which - like this one - are, well ... Step away from the computer, Bruce.
Algorithms and social media replacing work of editors and publishing houses ...
It used to be a central ambition of novelists to capture the experience of working life. From Balzac to Zola, Dickens to Kafka, they evoked the dynamism and the beauty, the horror and the tedium of the workplace. Their books covered the same territory as is today featured at copious length in the financial pages of newspapers or in the breathless commentaries of the 24-hour newscasters, but their interest was not primarily financial. The goal was to convey the human side of commerce, where money is only one actor in a complex drama about our ambitions and reversals.
Yet today's writers seem to be losing their nerve. There has been an unfortunate inward turn. Attention, brilliant though it might be, too often falls merely on the domestic and the natural.
When a new writer like Joshua Ferris does finally devote a novel to tracking the antics inside a corporation, the critical reaction is peculiar and telling: he attracts renown and praise for his courage in tackling the fresh and entirely unexpected subject matter of going to the office.
Even if Mars has never had life, comets and asteroids that have struck the planet should have scattered at least some organic molecules - though not produced by life - over its surface.
Some have suggested that organics were cleansed from the surface by naturally occurring, highly reactive chemicals such as hydrogen peroxide. Then last year, NASA's Phoenix lander, which also failed to detect organics on Mars, stumbled on something in the Martian soil that may have, in effect, been hiding the organics: a class of chemicals called perchlorates.
At low temperatures, perchlorates are relatively harmless. But when heated to hundreds of degrees Celsius they release a lot of oxygen, which tends to cause any nearby combustible material to burn. For that very reason, perchlorates are used in rocket propulsion.
The Phoenix and Viking landers looked for organic molecules by heating soil samples to similarly high temperatures to evaporate them and analyse them in gas form. When Douglas Ming of NASA's Johnson Space Center in Houston, Texas, and colleagues tried heating organics and perchlorates like this on Earth, the resulting combustion left no trace of organics behind.
For all the drama and high-concept, Buyout is a remarkably understated and thoughtful novel. The story is rife with dark humor but Irvine reserves the sharpest of his satiric barbs for the voice of "Walt Dangerfield", self-appointed Gonzo Journalist/Greek Chorus, whose daily podcasts introduce each chapter and serve as exposition for the world of 2040 at large. At first glance, the cover art reminded me of Richard K. Morgan's very cool Market Forces (I know, I know, don't judge a book...) But you won't find cartoony evil corporations or blockbuster action here. Nor is the technology portrayed much flashier than what we see around us now. Martin wrestles with ethical dilemmas and social issues, not gun-festooned cyborgs. Buyout lacks many of the obvious trappings of a genre novel, but it does what any well-written Science Fiction book should. It makes you think; about life and death, ethics and society, justice and loyalty — and about the cynic and the idealist, and how sometimes they can be the same person. (read the rest)